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Registering as Guest.
She paints intuitively and abstractly, laying down bold swaths of color in oil paint mixed with cold wax, then going back in, scraping, layering, adding, subtracting, refining the composition and finally discovering the story buried in the paint. She loves making marks using oil pigment sticks, graphite, or by scratching into the surface with a sharp object, each mark reflecting her eclectic personality. She is an energetic teacher and provides a safe place for students to experiment and learn new techniques.
• Assorted paintbrushes: ½", 1", and 1-1/2" inches
• Credit cards or squeegee for spreading paint
• Hard brayer
• Box of wax paper
• Variety of pencils, i.e., Stabilo, #2, graphite (bring what you have)
• Gel medium in matte or semi-gloss (your preference, I prefer semi-gloss)
• Roll of painters or masking tape
• Water container
• Paper cutting scissors
• 5-lb. bag of rice
• Magazines or catalogs to use as glue paper
• 8-10 wood substrates up to 12x12 inches; can be cradled or flat panels
• 9x12 inch pad of watercolor paper
• Fine line Posca pens in black and white
• Roll of paper towels
• Pad of palette paper (12x16 inches or larger)
Optional:
• Stencils, mark-making tools, rubber stamps, bring what you have on hand
• An assortment of collage papers: book pages, preprinted tissue paper, handmade paper pieces, vintage handwritten letters, typewritten pages -- whatever you have on hand.
• Tissue paper
• Deli paper
• Newsprint
• Kraft paper
• Brown paper bags
• Drawing paper
• Unbleached wax paper
• Cardboard for attaching paper
• Grease and ebony pencils
• Assorted mark making and drawing tools
• Sandpaper
• Electric sander to use
• Marabu Crayons
• Sakura Solid Markers
• Stabilo Woodies
• Fine-Line Applicators with assorted colors of paint
• Handmade papers
• Preprinted tissue paper
• Assortment of collage and vintage papers
• Stencils to share
• Mark-making tools to share
• Cold wax and rags for sealing paintings
She paints intuitively and abstractly, laying down bold swaths of color in oil paint mixed with cold wax, then going back in, scraping, layering, adding, subtracting, refining the composition and finally discovering the story buried in the paint. She loves making marks using oil pigment sticks, graphite, or by scratching into the surface with a sharp object, each mark reflecting her eclectic personality. She is an energetic teacher and provides a safe place for students to experiment and learn new techniques.
• Assorted paintbrushes: ½", 1", and 1-1/2" inches
• Credit cards or squeegee for spreading paint
• Hard brayer
• Box of wax paper
• Variety of pencils, i.e., Stabilo, #2, graphite (bring what you have)
• Gel medium in matte or semi-gloss (your preference, I prefer semi-gloss)
• Roll of painters or masking tape
• Water container
• Paper cutting scissors
• 5-lb. bag of rice
• Magazines or catalogs to use as glue paper
• 8-10 wood substrates up to 12x12 inches; can be cradled or flat panels
• 9x12 inch pad of watercolor paper
• Fine line Posca pens in black and white
• Roll of paper towels
• Pad of palette paper (12x16 inches or larger)
Optional:
• Stencils, mark-making tools, rubber stamps, bring what you have on hand
• An assortment of collage papers: book pages, preprinted tissue paper, handmade paper pieces, vintage handwritten letters, typewritten pages -- whatever you have on hand.
• Tissue paper
• Deli paper
• Newsprint
• Kraft paper
• Brown paper bags
• Drawing paper
• Unbleached wax paper
• Cardboard for attaching paper
• Grease and ebony pencils
• Assorted mark making and drawing tools
• Sandpaper
• Electric sander to use
• Marabu Crayons
• Sakura Solid Markers
• Stabilo Woodies
• Fine-Line Applicators with assorted colors of paint
• Handmade papers
• Preprinted tissue paper
• Assortment of collage and vintage papers
• Stencils to share
• Mark-making tools to share
• Cold wax and rags for sealing paintings